Home  ›  Pearl Jam Cd With Track I Can Feel It Coming Back Again

Pearl Jam Cd With Track I Can Feel It Coming Back Again

Written By Saturday, May 14, 2022 Add Comment Edit

2006 studio album by Pearl Jam

Pearl Jam
A half-cut avocado stands against a black to blue gradient. The title "Pearl Jam" is written in white letters on the upper left.

Standard artwork
Studio album past

Pearl Jam
Released May two, 2006
Recorded November 2004 – Feb 2006
Studio Ten, Seattle
Genre
  • Alternative rock
  • difficult rock[one]
Length 49:44
Label J
Producer
  • Adam Kasper
  • Pearl Jam
Pearl Jam chronology
Riot Act
(2002) 		Pearl Jam
(2006) 		Backspacer
(2009)
Singles from Pearl Jam
  1. "Earth Wide Suicide"
    Released: March 14, 2006
  2. "Life Wasted"
    Released: August 28, 2006
  3. "Gone"
    Released: October vii, 2006

Pearl Jam is the 8th studio album by American alternative rock band Pearl Jam, released on May 2, 2006 on J Records. It was Pearl Jam's first and only release for J Records, their last album issued by Sony Music. It was the band's beginning total-length studio release in near iv years, since Riot Act (2002). The band commenced work on Pearl Jam in November 2004 at Studio X in Seattle, Washington and finished in February 2006.

The music on the record was proclaimed as a return to the band's roots, with an emphasis on up-tempo songs with an aggressive audio. The song lyrics are mostly told from the bespeak of view of characters and deal with the socio-political issues in the United states of america at the menses, such as the State of war on Terror.

Pearl Jam was critically well received and a commercial success, debuting at number ii on the Billboard 200 nautical chart and eventually outselling the ring'south previous release, Riot Deed. The album besides produced three singles—"World Wide Suicide," "Life Wasted" and "Gone"—which were moderately successful. The band supported the album with a total-scale world bout in 2006. Writing for Kerrang!, George Garner called the album "criminally underrated".[2]

Recording [edit]

Pearl Jam was recorded at Studio X in Seattle, Washington. The band began work on the album following the 2004 Vote for Change tour in Nov 2004, and again employed producer Adam Kasper, who worked with them on predecessor Riot Act.[3] [4] The recording sessions started in Feb 2005,[five] and they worked on it off and on throughout the yr, with the sessions existence interrupted toward the end of the yr when the band toured North America and S America.[6] The anthology was completed in early 2006. Bassist Jeff Ament attributed the length of time recording to lead vocalist Eddie Vedder having a child and the ring touring in the middle of recording.[4] The album was mixed by Kasper at Studio X.[7]

For the first time since 1993'due south Vs., the ring members did not become into the recording sessions with any completed songs, just guitar riffs.[5] Vedder admitted that the band "really went in with naught."[viii] The ring sat around playing music together and discussed the vocal arrangements, and in but 1 week had completed ten songs.[4] [ix] Ament described it equally a "real collaborative endeavour,"[four] and Vedder described it every bit "accented republic."[10] Guitarist Mike McCready stated that the band members were feeling "fresh and energetic" and "were communicating better than e'er."[xi] Toward the stop of the sessions it came down to Vedder to end upwards the material, with Ament observing that "the way the tape started and the way that it finished is probably two different things."[12] Regarding his lyric writing procedure, Vedder said that he wrote at least 4 unlike sets of lyrics for each song,[13] with many going as high as 8. Vedder described as a process that demands "the patience of like a National Geographic photographer sitting underneath the bush in a tent", adding he would at times "figure out afterward eight, ix or eleven drafts that the first i was actually the one".[9] A total of 25 songs were written before coming down to the 13 on the final rail listing.[5] Outtakes include "The Wood", afterwards featured on Ament'southward 2008 solo album Tone,[14] and "Of the Globe", which started being played alive in 2010.[v] [15]

Pearl Jam'south contract with Ballsy Records had ended in 2003, merely the band was not set up to release an album without label backing.[16] Independent label Epitaph Records was considered, but the band wanted a company that would guarantee a wide release.[iii] Managing director Kelly Curtis signed a one-record deal with J Records -[16] which ironically during production became, like Epic, a subsidiary of Sony Music afterward said company merged with J'due south parent visitor BMG.[8] J had approached Pearl Jam as early on every bit 2001, and had its showtime experiments with the band issuing the live album Alive at Benaroya Hall in 2004.[17] Vedder said J was picked as they searched for "somebody who'll allow the states to be who we are and respects how we do things" and contributed with the "facilitation of getting the music out there".[8] Gossard added the label did non input any fourth dimension or creative constraints upon the band - " Nosotros didn't play them much music until it was basically washed, and they were pleased. They weren't expecting us to do something that was unnatural for us."[17]

Music and lyrics [edit]

A number of critics cited the album equally a return to the band's roots. Stephen Thomas Erlewine of Allmusic said, "Nearly 15 years subsequently 10, Pearl Jam finally returned to the strengths of their debut with 2006's Pearl Jam, a sharply focused set of impassioned hard rock."[1] Vedder said, "It's easily the best stuff we've done but also some of the hardest stuff. It's very ambitious, because over again, it's kind of a product of what it'southward like to be an American these days. Information technology'due south pretty ambitious, especially when you turn information technology loud."[half dozen] Gossard added that after many experimental albums, Pearl Jam was "similar a coming together again in terms of accepting our natural strengths and also incorporating the best of our experiments".[17]

The album begins with a number of up-tempo songs earlier expanding to a variety of tempos for its 2d one-half.[1] Vedder attributed the faster and more aggressive songs to the band writing a lot of material that kept getting pared down, with the ring leaving backside mid-tempo songs,[9] while Ament suggested that it was because of the band balancing recording and touring which resulted in "physicality ... from being out on the road."[4] The band attempted to create an surroundings in which McCready and drummer Matt Cameron could play much equally they practise live.[10] Ament said that in that location was "a lot of honing of the guitars and vocals in the middle and toward the terminate," which resulted in the anthology sounding "more polished."[4] On the overall feeling of the album, Ament said, "The band playing in a room—that came across. In that location's a kind of immediacy to the record, and that'due south what we were going for."[4]

"Information technology's understandable why someone would like their entertainment to provide an escape from mod day worries and the reality of state of war. We experience this record creates a good for you opportunity to process some of these emotions rather than deny them. It's like we took our aggressions and shaped something positive from them in a very direct style"

 —Eddie Vedder on the album's themes[18]

Current socio-political issues in the United States are addressed on the album, with Vedder claiming the tape "deals with real content and the moral issues of our time", and crediting every bit inspiration both the frustration with George W. Bush being reelected,[19] and the birth of Vedder's daughter - "At present that I encounter it as my daughter'due south planet, I'one thousand even more than (angry)."[3] McCready said, "Nosotros all feel that we're living in tumultuous, frightening times, and that ranges from the Republic of iraq state of war to Hurricane Katrina to wiretapping to anything that smacks of totalitarianism. And merely bad political decisions being fabricated. We feel that equally Americans, and we're frustrated. So a lot of those feelings accept come up out in these songs."[11] Vedder also added that among all the dark themes "the hope was going to exist in the guitar solos. Information technology was the guitars and drums going at it that was going to elevator you out of the dark abyss that I had painted."[8] The Republic of iraq War is addressed in the songs "Earth Wide Suicide", "Marker in the Sand", and "Regular army Reserve". The lyrics of "World Wide Suicide" depict anger against the state of war. Other themes addressed on the album include booze employ ("Severed Hand"),[20] organized religion ("Marker in the Sand"), poverty ("Unemployable"), leaving everything behind to seek a fresh start ("Gone"),[20] and loneliness ("Come up Back").[twenty]

Many of the songs are written from the point of view of a protagonist, which emerged from an early on idea of turning the record into a concept anthology -[17] as guitarist Stone Gossard explained, "nosotros did consider using narration to thematically unify the album, but ultimately a less conceptual structure just felt right."[21] Vedder added that using characters in the tracks helped with the themes, every bit the stories could "transmit an emotion or a feeling or an observation of modern reality rather than editorializing, which nosotros've seen plenty of these days".[17]

Vedder added that many songs were inspired by the death of fellow musician Johnny Ramone, whom he described as "the best friend I e'er had on the planet". The lyrics of "Life Wasted" in particular were written after attending Ramone's funeral.[22] Vedder said that "Gone" is nearly a human "needing to detect a new life without his past, without his possessions, and not really looking for more than possessions."[twenty] Damien Echols, one of the 3 members of the West Memphis three, co-wrote the lyrics to "Army Reserve".[23] For the commencement time McCready contributed lyrics to a Pearl Jam anthology, writing the lyrics to the closing rails "Inside Job". McCready said that he wrote the lyrics while touring in São Paulo every bit he "desire[ed] this song to happen" despite Vedder not having washed the lyrics yet,[19] [24] and added that the lyrical inspiration was the realization that "I had to become within myself offset before I could be open to outside ideas."[11]

Packaging and versions [edit]

The album'due south cover art, photographed by Brad Klausen, depicts an avocado cut in half with the pit withal in place. McCready said, "That symbolizes just kind of ... Ed'south at the finish of the process and said, for all I care right now, we've done such a good job on this record, and we're kind of tired from information technology. Let'southward throw an avocado on the encompass. I call up that'southward what happened, and our fine art manager goes, hey, that'south not a bad thought. I recall we were watching the Super Basin, and nosotros had some guacamole or something."[24] Considering the album is self-titled, many fans refer to it every bit "Avocado" or "The Avocado Anthology."[25] The cover was named in Pitchfork Media'south summit 25 worst album covers of 2006.[26] The liner notes art features footage from the "Life Wasted" music video, directed by artist Fernando Apodaca. The photographs involve the ring members with their peel decomposable and animals crawling in and out of it, as Apodaca felt the songs, "Life Wasted" in item, fit "my interpretation of the how fragile life is".[27] The album was also issued on a double vinyl.[28]

On the choice of a cocky-titled anthology, Vedder explained, "In the stop, we idea there was plenty there with the title of the songs, and so to put another title on the album would have seemed pretentious. So, really, it's actually Nothing by Pearl Jam."[nineteen] During the making of the album Vedder considered the title Superun-owned, a play on Soundgarden'southward 1994 album, Superunknown. He explained, "We're un-owned. We want to remain united nations-owned."[6]

Copies of the anthology were made available for pre-club through Pearl Jam'due south official website with different CD art and packaging than the retail version, and also a bonus deejay featuring the band's show on December 31, 1992 at The Academy Theater in New York Metropolis.[17] [29] Pre-order campaigns were besides set with iTunes, Amazon and Best Buy, each retailer receiving an exclusive backside-the-scenes or rehearsal prune shot by photographer Danny Clinch.[17]

Release and promotion [edit]

The album was released on May 2, 2006.[xviii] The Sony BMG merger atomic number 82 to some issues in the international distribution, something the ring took into consideration during the release of the cocky-published Backspacer three years later.[xvi] While Pearl Jam is normally averse to press, to promote the album they performed the album songs on Sessions@AOL,[17] and went to various boob tube shows, including Saturday Night Alive, Belatedly Evidence with David Letterman, and Later... with Jools The netherlands. Vedder said the exposition happened because "it seem[ed] similar a critical time to participate in our democracy."[22] The ring likewise decided to shoot their commencement conceptual music videos in 8 years, "Earth Wide Suicide" and "Life Wasted".[22]

Iii singles were released from Pearl Jam. The atomic number 82 single "Earth Wide Suicide" was made available through online music stores (backed with "Unemployable"),[17] and also issued for free download on the band's website.[xviii] "World Wide Suicide" entered the Billboard Hot 100 at number 41,[30] reached number two on the Mainstream Stone charts,[31] and spent a full of iii weeks at number i on the Modern Stone charts.[32] Neither of the album'southward other commercially released singles, "Life Wasted" and "Gone", charted on the Hot 100, but the former placed on both the Mainstream Rock and Modernistic Rock charts, while the latter placed on the Modern Rock chart[33] "Big Moving ridge" was featured in the 2006 Twentieth Century Fox movie, Aquamarine and on the soundtrack to the 2007 Columbia Pictures moving-picture show, Surf'due south Up.[34]

Tour [edit]

Eddie Vedder sings in a stage.

Eddie Vedder on phase with Pearl Jam in Pistoia, Italia on September 20, 2006.

Pearl Jam promoted the album with a tour beyond Northward America, Europe, and Commonwealth of australia in 2006. The bout originally had 69 concerts,[35] which were then expanded with three gigs in Hawaii,[36] [37] one of them opening for U2'southward Vertigo Tour in Honolulu.[38] The starting time leg of the Northward American tour focused on the Northeastern Usa, and then the band moved to the Midwest and the West Coast for the tour'south second leg.[36]

Pearl Jam went on to tour Europe for its starting time time in six years. The ring played a small-scale secret show at the Astoria in London, and headlined the Reading and Leeds Festivals in August 2006, despite having vowed to never play at a festival again after Roskilde. In an interview in advance of the ring's return to the festival excursion, Gossard commented, "Information technology seems like an era to trust that nosotros're enlightened plenty to get through those bigger shows. We have a heightened sensation of what needs to happen every night so people are as prophylactic as they can possibly be."[21] Vedder started both concerts with an emotional plea to the crowd to expect after each other. He commented during the Leeds prepare that the band'due south decision to play a festival for the first time later on Roskilde had nothing to practice with "guts" simply with trust in the audience.[39] On September 19, 2006, at the Torino, Italian republic show at Palaisozaki, Pearl Jam played Pearl Jam in its entirety in social club midway through its prepare.[forty] After Europe, the band headed to Australia and then finished the twelvemonth with two shows in Hawaii.[36] The official bootlegs on this bout were available just in digital class, in both MP3 and lossless FLAC formats.[41] The band's shows at The Gorge Amphitheatre were released as part of the Live at the Gorge 05/06 box fix. A DVD documenting the band'due south shows in Italy entitled Immagine in Cornice was released in 2007.[34]

Reception [edit]

Commercial performance [edit]

Pearl Jam entered the UK charts at number 5, the band's highest position there since 2000's Binaural, while it reached number 2 in the U.Due south., selling 279,564 copies in its starting time week.[42] It was held off the top spot by the Tool album, x,000 Days.[43] As of July 2009, the anthology has sold 750,000 copies in the The states according to Nielsen SoundScan.[44] Pearl Jam is considered a comeback hit, outselling 2002's Anarchism Human activity - by 2009, 750,000 copies as opposed to Anarchism Act 'due south 508,000-[16] and ranking 90th in Billboard 'south listing of the 200 best-selling albums of 2006.[45] It has been certified gilded by the RIAA.[46]

Critical response [edit]

Professional ratings
Review scores
Source Rating
AllMusic [1]
The A.V. Guild B+[47]
Entertainment Weekly B+[48]
The Guardian [49]
The New York Times (favorable)[fifty]
Pitchfork (5.5/10)[51]
PopMatters (9/ten)[52]
Rolling Stone [53]
Slant Magazine [54]
Spin [55]

According to Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 74, based on 28 reviews, indicating "generally favorable reviews."[56] The album was named in Rolling Stone's acme 50 albums of the yr at number 13.[57] Rolling Rock staff writer David Fricke gave Pearl Jam iv out of five stars, calling it the band's best album in ten years. He said it's "the most overtly partisan—and hopeful—record of their lives," adding that it's "as big and brash in fuzz and courage as Led Zeppelin'southward Presence."[53] Allmusic staff writer Stephen Thomas Erlewine gave the anthology four and a half out of five stars, maxim that "Pearl Jam has embraced everything they do well, whether it'southward their classicist hard rock or heart-on-sleeve humanitarianism."[1] Chris Willman of Entertainment Weekly gave the album a B+, saying that Vedder'south "passionate howl seems more than valuable now, pitted against the navel-gazing emo whine that'southward commandeered the landscape," and he went on to say that "in a world full of boys sent to do a man's task of rocking, Pearl Jam can yet pull off gravitas."[48] Jon Pareles of The New York Times said, "Now as always, Pearl Jam takes itself seriously. Simply it delivers that seriousness non with the sodden self-importance of stone superstardom, simply with the arts and crafts and hunger of a ring nevertheless proving itself on the spot."[l] PopMatters writer Michael Metivier gave the album a ix/ten rating and viewed it as a progression in "tune and songcraft" over the band's previous work, writing that it "more consistently achieves the grandeur, rage, and beauty they've ever pursued, throughout its entirety".[52]

Brian D. Schiller of Slant Magazine gave the album three and a one-half out of 5 stars. He stated that "the album is at best another skillful pace toward their once great country and not a total render to it. What's true, though, is that information technology's the group'southward best full anthology since Vitalogy."[54] Noel Murray of The A.5. Lodge ranked the album B+, because it the "tightest Pearl Jam album in a decade", describing the album as a comeback "filled with straight-upwards, riff-a-riffic rock songs."[47] Mojo gave the anthology three out of five stars. The review said, "[South]elf-titled with good reason: Pearl Jam sound reborn, vital."[58] Kyle Anderson of Spin gave the album three out of five stars. He said that "rather than rage against the time machine, they seem to exist having fun ... Pearl Jam are taking themselves less seriously, and it fits them similar a snug flannel shirt."[55] Mat Snow of The Guardian also gave the album iii out of five stars. In the review he stated that Vedder "musters absolute confidence in writing and singing lyrics of male teenage angst." Snow observed, "And though few of these 13 numbers have the drama of tracks past the Who or Led Zeppelin, from whom the band depict much of their style, Pearl Jam play like men on a mission."[49] David Raposa of Pitchfork called it the "well-nigh consistent effort the group'southward released since its 2d album," but he added that it "gets pretty boring pretty ... quick."[51]

Track list [edit]

All lyrics are written by Eddie Vedder, except where noted.

No. Title Lyrics Music Length
1. "Life Wasted" Stone Gossard three:54
2. "World Wide Suicide" Vedder 3:29
iii. "Comatose" Mike McCready, Gossard 2:19
4. "Severed Hand" Vedder 4:30
5. "Marker in the Sand" McCready 4:23
half-dozen. "Parachutes" Gossard 3:36
7. "Unemployable" Matt Cameron, McCready 3:04
8. "Large Wave" Jeff Ament ii:58
9. "Gone" Vedder iv:09
10. "Wasted Reprise[II]" Gossard 0:53
eleven. "Army Reserve" Vedder, Damien Echols Ament 3:45
12. "Come Dorsum" McCready, Vedder 5:29
13. "Inside Chore[I]" McCready McCready, Vedder 7:08
Full length: 49:44

^ I "Inside Job" contains a cursory instrumental subconscious track at six:35.

^ 2 "Wasted Reprise" contains a reprise of "Life Wasted".

Personnel [edit]

Charts and certifications [edit]

Singles [edit]

Year Single Tiptop chart positions
US
[33] 		United states Main
[33] 		US Modern
[33] 		United kingdom of great britain and northern ireland
[95]
2006 "Globe Wide Suicide" 41 ii ane —
"Life Wasted" — 13 10 110
"Gone" — — 40 —
"—" denotes singles that did not chart.

References [edit]

  1. ^ a b c d e Erlewine, Stephen Thomas. "allmusic ((( Pearl Jam > Review )))". Allmusic . Retrieved March 21, 2009.
  2. ^ "Pearl Jam's Ten – The Evolution Of A Archetype". Kerrang! . Retrieved September one, 2020.
  3. ^ a b c Gundersen, Edna (June fifteen, 2006). "Pearl Jam: Life later 'Suicide'". Usa Today . Retrieved February 1, 2012.
  4. ^ a b c d e f g Porosky, Pamela (July 2006). "Pearl Jam's Popular Fine art". Bass Player. Archived from the original on March xiii, 2008. Retrieved Feb i, 2012.
  5. ^ a b c d Harris, Chris (May 20, 2005). "Pearl Jam, Post-'Therapy': 'The Sex Is Better Than Always!'". MTV. Retrieved Feb 1, 2012.
  6. ^ a b c Cohen, Jonathan (Nov eleven, 2005). "Pearl Jam Feeling 'Aggressive' On New Album". Billboard . Retrieved February one, 2012.
  7. ^ a b c Pearl Jam (CD booklet). Pearl Jam. J Records (Sony Music). 2006. 82876 71467. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  8. ^ a b c d Miller, Eric T. (July nineteen, 2006). "Q&A With Eddie Vedder". Magnet . Retrieved February 1, 2012.
  9. ^ a b c Hiatt, Brian (June xx, 2006). "Eddie Vedder's Embarrassing Tale: Naked in Public". Rolling Stone. Archived from the original on March 3, 2007. Retrieved March 3, 2009.
  10. ^ a b Scaggs, Austin (Apr 21, 2006). "Eddie Vedder: Addicted to Stone". Rolling Rock. Archived from the original on Apr ii, 2009. Retrieved February 1, 2012.
  11. ^ a b c Stout, Gene (May 5, 2006). "Energized Pearl Jam Makes an Explosive Return". Seattle Post-Intelligencer . Retrieved February i, 2012.
  12. ^ Jasmin, E. (July xx, 2006). "Bring the Noise: On how the band approached the new anthology". The News Tribune. Archived from the original on April 28, 2008.
  13. ^ McCabe, Kathy (April 2, 2009). "Pearl Jam Remix 10, The Mode They E'er Wanted It". Herald Lord's day. Archived from the original on Apr 6, 2009. Retrieved April 11, 2009.
  14. ^ Cohen, Jonathan (September iii, 2008). "Pearl Jam'south Jeff Ament Preps Solo Debut". Billboard . Retrieved February ane, 2012.
  15. ^ "Of The Earth". PearlJam.com. Archived from the original on December x, 2011. Retrieved February ane, 2012.
  16. ^ a b c d Cohen, Jonathan (August 8, 2009). "Pearl Jam Takes Charge With Backspacer". Billboard . Retrieved January one, 2012.
  17. ^ a b c d e f 1000 h i Cohen, Jonathan (April 21, 2006). "Pearl Jam'due south 'New' World Order". Billboard . Retrieved Feb ane, 2012.
  18. ^ a b c Cohen, Jonathan (March 6, 2006). "Pearl Jam Takes Out Its Assailment On New Album". Billboard . Retrieved February 1, 2012.
  19. ^ a b c "Coming of Age". Rolling Stone Commonwealth of australia. ACP Magazines (653). June five, 2006.
  20. ^ a b c d Cohen, Jonathan (Apr 14, 2006). "The 'Pearls' of Pearl Jam". Billboard . Retrieved February 1, 2012.
  21. ^ a b Kerr, Dave (May 2006). "Explore and not Explode". The Skinny . Retrieved February one, 2012.
  22. ^ a b c Hiatt, Brian (June 16, 2006). "The 2d Coming of Pearl Jam". Rolling Stone. Archived from the original on May 1, 2009. Retrieved June 22, 2007.
  23. ^ "ECHOLS CONTRIBUTES TO NEW PEARL JAM ALBUM". wm3.org. Archived from the original on July 12, 2006. Retrieved July 22, 2007.
  24. ^ a b Reimink, Troy (May 18, 2006). "Q&A with Pearl Jam's Mike McCready". The M Rapids Press. Berth Newspapers.
  25. ^ Kreps, Daniel (April 26, 2011). "Grading Pearl Jam's Album Covers". The Amplifier (Yahoo! Music). Archived from the original on January fifteen, 2012. Retrieved February 1, 2012.
  26. ^ Schreiber, Ryan (December 14, 2006). "Summit 25 Worst Album Covers of 2006". Pitchfork Media. Retrieved Feb ane, 2012.
  27. ^ Jones, Alex (October 3, 2006). "Alum awarded at SDFF". The Daily Aztec. Archived from the original on September 27, 2007. Retrieved Feb 1, 2012.
  28. ^ "Pearl Jam (Limited Edition, vinyl)". Retrieved December 31, 2011.
  29. ^ "TEN CLUB EDITION PEARL JAM CD". Official Pearl Jam Shop. Archived from the original on April 26, 2012. Retrieved December 31, 2011.
  30. ^ Hope, Clover (March 23, 2006). "Paul's 'Temperature' Rises To The Top". Billboard . Retrieved February 1, 2012.
  31. ^ Hope, Clover (March 31, 2006). "Pearl Jam Gets Intimate For London Evidence". Billboard . Retrieved February 1, 2012.
  32. ^ Hope, Clover (April 6, 2006). "Powter's 'Mean solar day' Reigns Again On Singles Chart". Billboard . Retrieved February 1, 2012.
  33. ^ a b c d "Pearl Jam – Chart History". Billboard . Retrieved June 11, 2007.
  34. ^ a b "Pearl Jam Rumor Pit - 2007". Pearljam.com. May ane, 2007. Archived from the original on August 23, 2007. Retrieved July 1, 2007.
  35. ^ "Pearl Jam Offsets Climate Footprint of 2006 Globe Bout". Environment News Service. July 10, 2006. Retrieved December 31, 2011.
  36. ^ a b c "2006 Set Lists". PearlJam.com. Retrieved February 1, 2012.
  37. ^ "Pearl Jam Rides Secret Show Moving ridge In Hawaii". Billboard. December 1, 2006. Retrieved December 31, 2011.
  38. ^ Chun, Gary C.W. (July twenty, 2006). "Pearl Jam joining U2 at Aloha Stadium". Honolulu Star-Message . Retrieved February i, 2012.
  39. ^ Simpson, Dave. (August 28, 2006). "Leeds Festival". The Guardian . Retrieved July ane, 2007.
  40. ^ "Pearl Jam Shows: 2006 September 19, Palaisozaki Torino, Italian republic – Fix List". PearlJam.com. Archived from the original on December 23, 2011. Retrieved February ane, 2012.
  41. ^ Cohen, Jonathan (June xi, 2008). "Pearl Jam, Verizon Get Mobile For Live Bootlegs". Billboard . Retrieved February 2, 2012.
  42. ^ "Pearl Jam'south Self-Titled Album Enters the Chart at Number Two and Sets a Chart Record" (Printing release). J Records. May x, 2006. Retrieved February i, 2012.
  43. ^ Harris, Chris (May 10, 2006). "Tool, Pearl Jam Claim Billboard Nautical chart In The Name Of Rock". MTV.com. Retrieved February ane, 2012.
  44. ^ Cohen, Jonathan (July 31, 2007). "Pearl Jam: 'Back' to the Future". Billboard . Retrieved July 31, 2009.
  45. ^ "Billboard 2006 Year In Music: The Billboard 200". Billboard . Retrieved February 1, 2012.
  46. ^ "Gold and Platinum Database Search". RIAA. Archived from the original on June 26, 2007. Retrieved June 26, 2007.
  47. ^ a b Murray, Noel (May 10, 2006). "Pearl Jam: Pearl Jam". The A.V. Club . Retrieved February 1, 2012.
  48. ^ a b Willman, Chris (April 21, 2006). "Pearl Jam". Entertainment Weekly . Retrieved April 29, 2007.
  49. ^ a b Snowfall, Mat. (April 28, 2006). "Pearl Jam, Pearl Jam". The Guardian . Retrieved May twenty, 2009.
  50. ^ a b Pareles, Jon (May 1, 2006). "Critic'south Choice: New CD's". The New York Times . Retrieved May 20, 2009.
  51. ^ a b Raposa, David. "Pearl Jam: Pearl Jam". Pitchfork. May 2, 2006. Retrieved on May 20, 2009.
  52. ^ a b Fricke, David (April 21, 2006). "Pearl Jam: Pearl Jam". PopMatters . Retrieved May 20, 2009.
  53. ^ a b Metivier, Michael (May 1, 2006). "Pearl Jam: Pearl Jam". Rolling Stone . Retrieved June x, 2010.
  54. ^ a b Schiller, Brian D. (May 5, 2006). "Pearl Jam: Pearl Jam". Slant Mag . Retrieved May 20, 2009.
  55. ^ a b Anderson, Kyle (May 13, 2006). "Pearl Jam, Pearl Jam (J Records)". Spin . Retrieved May 20, 2009.
  56. ^ "Pearl Jam past Pearl Jam". metacritic.com.
  57. ^ "The Peak fifty Albums of the Twelvemonth". Rolling Stone. December 11, 2006. Archived from the original on March ane, 2007. Retrieved Feb 1, 2012.
  58. ^ "Review: Pearl Jam". Mojo. Bauer (152): 112. July 2006.
  59. ^ "Australiancharts.com – Pearl Jam – Pearl Jam". Hung Medien. Retrieved Nov 27, 2021.
  60. ^ "Austriancharts.at – Pearl Jam – Pearl Jam" (in German). Hung Medien. Retrieved November 27, 2021.
  61. ^ "Ultratop.be – Pearl Jam – Pearl Jam" (in Dutch). Hung Medien. Retrieved Nov 27, 2021.
  62. ^ "Ultratop.be – Pearl Jam – Pearl Jam" (in French). Hung Medien. Retrieved November 27, 2021.
  63. ^ "Pearl Jam Chart History (Canadian Albums)". Billboard. Retrieved November 27, 2021.
  64. ^ "Danishcharts.dk – Pearl Jam – Pearl Jam". Hung Medien. Retrieved November 27, 2021.
  65. ^ "Dutchcharts.nl – Pearl Jam – Pearl Jam" (in Dutch). Hung Medien. Retrieved November 27, 2021.
  66. ^ "Pearl Jam: Pearl Jam" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved November 27, 2021.
  67. ^ "Lescharts.com – Pearl Jam – Pearl Jam". Hung Medien. Retrieved November 27, 2021.
  68. ^ "Offiziellecharts.de – Pearl Jam – Pearl Jam" (in German). GfK Entertainment Charts. Retrieved November 27, 2021.
  69. ^ "Album Meridian 40 slágerlista – 2006. xix. hét" (in Hungarian). MAHASZ. Retrieved Nov 27, 2021.
  70. ^ "Irish gaelic-charts.com – Discography Pearl Jam". Hung Medien. Retrieved November 27, 2021.
  71. ^ "Italiancharts.com – Pearl Jam – Pearl Jam". Hung Medien. Retrieved November 27, 2021.
  72. ^ "パール・ジャムのアルバム売上ランキング". Retrieved February 19, 2008.
  73. ^ "Charts.nz – Pearl Jam – Pearl Jam". Hung Medien. Retrieved November 27, 2021.
  74. ^ "Norwegiancharts.com – Pearl Jam – Pearl Jam". Hung Medien. Retrieved November 27, 2021.
  75. ^ "Portuguesecharts.com – Pearl Jam – Pearl Jam". Hung Medien. Retrieved November 27, 2021.
  76. ^ "Official Scottish Albums Nautical chart Height 100". Official Charts Company. Retrieved November 27, 2021.
  77. ^ "Spanishcharts.com – Pearl Jam – Pearl Jam". Hung Medien. Retrieved November 27, 2021.
  78. ^ "Swedishcharts.com – Pearl Jam – Pearl Jam". Hung Medien. Retrieved November 27, 2021.
  79. ^ "Swisscharts.com – Pearl Jam – Pearl Jam". Hung Medien. Retrieved November 27, 2021.
  80. ^ "Official Albums Chart Top 100". Official Charts Visitor. Retrieved November 27, 2021.
  81. ^ "Pearl Jam Chart History (Billboard 200)". Billboard. Retrieved Nov 27, 2021.
  82. ^ "Pearl Jam Chart History (Summit Rock Albums)". Billboard. Retrieved November 27, 2021.
  83. ^ "ARIA Charts - End Of Year Charts - Top 100 Albums 2006". Australian Recording Industry Association. Archived from the original on January 27, 2014. Retrieved November 27, 2021.
  84. ^ "Jaaroverzichten 2006". Ultratop. Retrieved November 27, 2021.
  85. ^ "Jaaroverzichten – Album 2006". dutchcharts.nl . Retrieved Nov 27, 2021.
  86. ^ "Superlative Billboard 200 Albums – Year-End 2006". Billboard . Retrieved November 27, 2021.
  87. ^ "Top Stone Albums – Year-End 2006". Billboard . Retrieved Nov 27, 2021.
  88. ^ "ARIA Charts – Accreditations – 2006 Albums" (PDF). Australian Recording Industry Association.
  89. ^ "Brazilian album certifications – Pearl Jam – Pearl Jam" (in Portuguese). Pro-Música Brasil.
  90. ^ "Canadian album certifications – Pearl Jam – Pearl Jam". Music Canada.
  91. ^ "New Zealand album certifications – Pearl Jam – Pearl Jam". Recorded Music NZ.
  92. ^ "Portuguese anthology certifications – Pearl Jam – Pearl Jam" (in Portuguese). Associação Fonográfica Portuguesa. Archived from the original on November 20, 2010.
  93. ^ "British anthology certifications – Pearl Jam – Pearl Jam". British Phonographic Manufacture.
  94. ^ "American album certifications – Pearl Jam – Pearl Jam". Recording Industry Association of America.
  95. ^ "Chart Log: 1994–2006". OCC. Retrieved June 11, 2007.

External links [edit]

  • Pearl Jam information and lyrics at pearljam.com

quirionunfinamess.blogspot.com

Source: https://en.wikipedia.org/wiki/Pearl_Jam_(album)

0 Response to "Pearl Jam Cd With Track I Can Feel It Coming Back Again"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel